I personally thought that Brace Yourself was done nicely, with it sparking my mind in different ways depending on the track. I liked the mad scramble playing out in the remix of "Brace Yourself" and carrying itself (albeit in a different light) into "Kubba."
I didn't like the degeneration of "Brace Yourself" toward the center of the song, the "follow the bouncing pong" sound actually hurting it because it was overused just a little it too much and killing some of the other sounds. Still, I found some of the layering in that madhouse something of a treat, enjoying a little of the videogame taste housed within folds of the noise.
"Kubba" held itself together better, with some of the sounds drifting to a resting point in the album and then growing atop the build, making it serene and still mad. The calm points in it, around 2:30 into the song, were really nice a layered, and that made it well worth listening to.
I especially enjoyed the atmosphere cast into "Vaken Bolt," enjoying the almost floaty sound it birthed after the breeding of the track to my mind was finished, and I thought it set a interesting mood. I like the electronically haunted sounds floating to the top of the still-energetic stew, and thought that this piece was perhaps the best portion of the EP. I especially liked it after it developed somewhat, getting over a minute into the song and mixing in a small tapestry of sonic threads into the framework.
"Losers March" was also pretty nicely done, with it utilizing many of the same elements that made the remix of "Brace Yourself" work out. It has a nice electronic feel to it, pacing itself well from beginning to end while giving a little madness to the beat from time to time just for kicks before it totally breaks down. For some reason I liked the chaos in the song, too, and I liked the way it seemed to teeter on the brink of it before it all fell down at the end.
"Summer Living" has something of a mad electric rhythm to it, with sounds shooting through it at randomly contrived places and building blocks beating their ways into it as it lays sonic stepping stones.
"Intellitag" is also a track I enjoyed a lot, with it taking sounds that seem almost calm and mixing them with a somewhat mad percussion section. I'd be listening to the cascade of noises, one moving in and another out, and I saw that it was all making the minute key strokes that were noticeable here and there seem like strange siren songs when they play in the background. And that struck me as something almost primally beautiful.
And then there's "Abmoit," a build piece that isn't anywhere near my favorite flavor of song, and "Brace Yourself (Reprise)" finishing off the fold.