| The Bootleg Series, Vol. 4: Bob Dylan Live, 1966: The "Royal Albert Hall Concert" | 
 enlarge | List Price: $19.98
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Avg. Customer Rating:   (based on 196 reviews)
Sales Rank: 658
Category: Music
Artist: Bob Dylan
Publisher: Sony
Studio: Sony
Manufacturer: Sony
Label: Sony
Format: Live
Media: Audio CD
Discs: 2
Shipping Weight (lbs): 0.2
Dimensions (in): 5.6 x 5 x 0.5
MPN: 65759
UPC: 746465759250
EAN: 0074646575925
ASIN: B00000D9TO
Release Date: October 13, 1998
Availability: Usually ships in 1-2 business days
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| Tracks:
Disc 1
| • | She Belongs To Me | | • | Fourth Time Around | | • | Visions Of Johanna | | • | It's All Over Now, Baby Blue | | • | Desolation Row | | • | Just Like A Woman | | • | Mr. Tambourine Man |
Disc 2
| • | Tell Me, Momma | | • | I Don't Believe You (She Acts Like We Never Have Met) | | • | Baby, Let Me Follow You Down | | • | Just Like Tom Thumb's Blues | | • | Leopard-Skin Pill-Box Hat | | • | One Too Many Mornings | | • | Ballad Of A Thin Man | | • | Like A Rolling Stone |
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| Editorial Reviews:
Amazon.com's Best of 1998
Nineteen ninety-eight: The same year he dances with Soy Bomb at the Grammys, his record label finally issues Bob Dylan's ultimate live document. A classic case of not giving the audience what they want but what they need, Mr. Dylan's oft-bootlegged 1966 gig begins with lovely and supple folk that foreshadows folk music's turn from protest song to introspection. The album's true highlight is the legendarily ill received and rocked-out electric set, with Dylan backed by members of the Band. There are too many perfect, on-fire guitar solos by Robbie Robertson to count, and Dylan himself responds to the audience's angry bewilderment with equal parts menace, grace, and brilliance. --Mike McGonigal
Amazon.com essential recording
The greatest live recording in rock & roll history was--officially, at least--buried in the vaults of Columbia Records for more than a quarter of a century. But no more: Live 1966: The "Royal Albert Hall" Concert has surfaced on two discs mixed and mastered from three-track source tapes that put the myriad pirated recordings to shame. More important, Live 1966 documents a momentous artistic showdown between a willful, inflamed, and utterly fearless performer and his headstrong core following. The Dylan of the mid '60s had made the leap from socially conscious voice of his generation to surrealistic electric poet, a transformation that was met with contempt by a vocal element of his audience. The most telling moment of the recording centers on the standoff: A folk zealot in the audience shouts, "Judas!" earning cheers from the contentious crowd. Dylan responds by snarling, "I don't believe you. You're a liar," then turns to his group, the Hawks (soon to become the Band), and, as the intro to "Like a Rolling Stone" takes shape, commands, "Play loud!" A crucial moment and, time has demonstrated, the correct call. --Steven Stolder
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| Customer Reviews: Read 191 more reviews...
The Bootleg Series, Vol. 4: Bob Dylan Live, 1966: The "Royal Albert Hall Concert" October 10, 2008
The Bootleg Series, Vol. 4: Bob Dylan Live, 1966: The "Royal Albert Hall Concert" is a stupendous live album that is surrounded with plenty of controversy. At the time people wanted Dylan to continue to play protest songs. On the first half of the concert we only get Dylan, guitar and harmonica. But instead of political songs we get introspective songs that deal with life, feelings and such. It is the seond cd part of the concert that was considered controversial. Here we have Dylan playing electric guitar and playing together with a rock band. As it is written so well in the book-let "Bob Dylan, intent on following his own inner vision, wasn't the first artist to NOT give the audience what they wanted...but he may have been the loudest". I could not agree any more with this. The book-let is quite amazing. It is quite massive to be a concert record, i.e., 50 pages and is loaded with information and very nice photographs. This is a live album not to be missed.
What more can be said about it? June 2, 2008
3 out of 3 found this review helpful
I'll just give it five stars. The fact it's also really well released with an amazing booklet just makes it vital. Dylan at full command of his craft. If you haven't got it... get it!
TIME CAPSULE DICHOTOMY May 20, 2008
5 out of 5 found this review helpful
This is the infamous 1966 "Judas" concert at Royal Albert Hall, Manchester, England, where Bob Dylan formally performs electric in front of a British audience. The first half is done in classic acoustic, and I must admit it is awesome. The second half of the show is an electric joke & confrontation between Bob and fans: BUT IT'S HISTORY! Bob was booed, and this was even mentioned on the evening news. (I may be wrong, but I think I remember this was on the evening news).
Bob really knows how to infuriate fans or stir up intense feelings for him. One fan, as I read, felt he had to drink beer in order to drown away his feelings of being let down by a DVD that supposedly had a less-than enthusiastic Bob performing live somewhere--what happened to the boy that once lit up the whole world?--was his observation. In this intense relationship with Bob come intense expectations. After all, Adoration, Admiration, Love, Loyalty, Devotion, and yes, even Worship in some cases, need to be reciprocated with at least some enthusiasm, don't you think? In this second part where he plays really awful renditions of his brilliant songs that were done correctly on the original CDs, he totally traumatizes helpless and horrified fans who don't even want him to go electric. But what you will get, however, is LOADS of ENTHUSIASM. You're not complaining, are you?
Bob changes into his leather jacket for the electric half and he brings out his band. Fans are not happy throughout the second half, but toward the end of the program, you can actually hear someone call him "Judas!" and Bob answers with "I don't believe you" after which he sings with more venum & force--"how does it FEEEEEL!" Bob is booed in the second half (poor Bob). There is confrontation between fans, purists and Bob. INTENSE indignation is felt on both sides of the stage, and Bob, equally very hurt plays even louder and more horrible (you can even hear him saying, "play F--- loud!". You can get highlights of what some of the fans say after the concert from the DVD No Direction Home. Get this as a historical event, and you won't be disappointed. All is forgiven and forgotten by now.
Hey, cool pictures in the insert booklet!
I am pretty much done with my Dylan albums. The only ones I don't have is Self Portrait, (which I won't get because Bob did this album just to get rid of his fans & he hardly wrote any songs in it) and Knocked Out Loaded and Under the Red Sky (maybe a little later I'll get these last two) and maybe a couple of live ones I still don't have.
Now I want to look up and listen and honor Bruce Hornsby a little.
I won't forget Bob. His CDs are still in my stereo (especially Oh Mercy)--see my reviews, and I will jump on his new CD when he makes one, and I wish him a very very very long life. WHAT ON EARTH would we fans do without him?!
(I got this CD a while back, but I guess I'll leave my opinion).
Essential Live Album April 19, 2008
4 out of 4 found this review helpful
Ranks right up with the best live albums ever such as Live at Leeds, Allman Brothers/Fillmore, Frampton Comes Alive, Johnny Cash at San Quenten, Bill Evans at the Village Vanguard. Nuff said. Essential live album and a desert island disk(s).
The Best Live Rock and Roll Record of All Time April 10, 2008
3 out of 3 found this review helpful
I'd been listening to the Electric half of this record for years before CBS/Sony finally released it as part of the Bootleg Series. Yes, I was listening to the bootleg. What Dylan fan hadn't been. Rolling Stone Magazine certified this as one of the best records of all time, a bootleg, imagine that.
The stuff with the band, Lord or Lord, it's good. The unreleased "Tell Me Momma" is a rocker of the first order. The Electric reworkings of "I Don't Believe You" and "Baby Let Me Follow You Down" turns them into brand new songs, rock and roll beauties. And "One Too Many Mornings" who would've thought you could make a rocker out of that one, but Dylan did and did it well. But the closer here, wow! Bob Dylan shouts out "Like a Rolling Stone," and you just want to scream it along with him. Jeez, I can't say enough good about this record.
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