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| Vaughan Williams: The Collector's Edition | 
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| List Price: $62.98
Buy New: $48.94
You Save: $14.04 (22%)
Buy New/Used from $48.91
Avg. Customer Rating:  (based on 4 reviews)
Sales Rank: 4149
Category: Music
Publisher: EMI Classics
Studio: EMI Classics
Manufacturer: EMI Classics
Label: EMI Classics
Format: Box Set, Collector's Edition
Media: Audio CD
Discs: 30
Shipping Weight (lbs): 1.5
Dimensions (in): 5.6 x 5.1 x 2.4
EAN: 5099920663629
ASIN: B00156ZWV0
Release Date: July 8, 2008
Availability: Usually ships in 1-2 business days
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| Customer Reviews:
EMI's Vaughan Williams Collection August 14, 2008
3 out of 4 found this review helpful
This splendid set, an amazing bargain, provides most of Vaughan Williams's music in various, sometimes relatively recent, vintages of recordings. VW is a vastly underrated composer. Some of the symphonies are bonafide masterpieces, especially numbers 4 and 6, but the London Symphony (#2) and the 8th and 9th are pretty top drawer as well, if not as stunning as 4 and 6. But then, 3 and 5 are excellent in a more "pastoral" way, though hardly the "cow music" written about in a recent New York Times article. If VW has written any "cow music" my ears have never detected it. The First Symphony, however, a choral work based on text by Walt Whitman, is as uncowlike as you can get but too hysterically pitched for my taste (like Mahler's Eighth).
The sublime Tallis Fantasy is given an expert performance, the marvelous Oboe Concerto is well done. The two string quartets are little known but very worth listening to.
In all, at less than $2 per disk, it's hard to see why anyone would turn it down. The set's only serious defect is the pathetically inadequate documentation. One can hardly figure out who's performing what. The disks themselves lack track numbers, very inconvenient, and the booklet lacks notes. But the set is nicely boxed and at this price it seems churlish to quarrel.
 An extensive glance at Vaughan Williams's work August 4, 2008
This is indeed a very good opportunity to have a detailed view at this composer's work at a bargain price. To me, it has always been difficult to get Vaughan Williams's recordings as I'm out of the UK, where most of them are released individually. It is great to have a box like this to get closer to this marvellous orchestrator, with his compositions so full of instrumental colour. The price is excellent, the only disappointment is that thera are no booklet notes at all. At least the CD tracking details are ok.
 Too cheaply done. July 19, 2008
13 out of 19 found this review helpful
I know people revere Boult and Handley and Hickox as the best of all possible interpreters for British music, along with Groves and Barbirolli and all of the other artists presented here. So please don't take offense as I pick apart this box set -- because it's not as great as some other reviewers make it out to be. Others can tell you why it's good (and it has LOTS of good stuff). Let me criticize it a little. Or a lot.
First, the packaging. I'm getting really tired of these box sets (Elgar on EMI, reissue of Stravinsky set on Sony, etc.) that are missing biographies or descriptions of the works outside of a track listing. Is it so hard to reprint the liner notes from the original releases? Why on earth do they not include a libretto?? I can barely understand a word of these choruses and unless you've heard Sir John in Love or Hugh the Drover before, I don't think you'll be able to figure a whole lot out without resorting to the Internet and digging pretty deeply. Like the Elgar set, about half of this set has vocal works. So it's a huge drawback not to have texts and librettos.
Second, these recordings are old. Fine. But they _sound_ old. I guess if EMI can't add liner notes, they won't spend the time to remaster their recordings before putting them back on the shelves. People who are replacing their vinyl recordings may be celebrating, but those of us who are young enough to have never owned vinyl or 8-track tapes will find that some of these recordings sound antiquated. This is especially true for those impossible-to-decipher vocal works. The songs are blurry and fuzzy (typical of low-end ADD), and there's nothing to be done without the help of a good sound engineer. It's clear much more care was put into the first half, which is full of the orchestral blockbusters that I'm sure have sold much better over time.
Third, EMI was so lazy that they just put the CDs in this set as they were released originally without an |
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