| Raising Sand | 
 enlarge | List Price: $18.98
Buy New: $10.40
You Save: $8.58 (45%)
Buy New/Used/Collectible from $8.94
Avg. Customer Rating:   (based on 502 reviews)
Sales Rank: 63
Category: Music
Publisher: Rounder
Studio: Rounder
Manufacturer: Rounder
Label: Rounder
Media: Audio CD
Discs: 1
Shipping Weight (lbs): 0.2
Dimensions (in): 5.5 x 4.8 x 0.4
MPN: 619075
UPC: 011661907522
EAN: 0011661907522
ASIN: B000UMQDHC
Release Date: October 23, 2007
Availability: Usually ships in 1-2 business days
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| Tracks:
| • | Rich Woman | | • | Killing the Blues | | • | Sister Rosetta Goes Before Us | | • | Polly Come Home | | • | Gone Gone Gone (Done Moved On) | | • | Through the Morning, Through the Night | | • | Please Read the Letter | | • | Trampled Rose | | • | Fortune Teller | | • | Stick with Me Baby | | • | Nothin' | | • | Let Your Loss Be Your Lesson | | • | Your Long Journey |
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| Editorial Reviews:
Album Description
The musical collaboration of the decade, Raising Sand is the sound of two iconic figures stepping out of their respective comfort zones and letting their instincts lead them across a brave new sonic landscape. Despite hailing from distinctly different backgrounds, Alison Krauss and Robert Plant share a maverick spirit and willingness to extend the boundaries of their respective genres. This spirit, expertly honed by producer T Bone Burnett, has resulted in an album pitched three steps beyond some cosmic collision of early urban blues, spacious West Texas country, and the untapped potential of the folk-rock revolution.
Supported by the unparalleled musicianship of Marc Ribot, Dennis Crouch, Mike Seeger, Jay Bellerose, Norman Blake, Greg Leisz, Patrick Warren, and Riley Baugus, Plant and Krauss -- as both solo and harmony vocalists -- tackle an intriguing selection of songs from such tunesmiths as Tom Waits, Gene Clark, Sam Phillips, Townes Van Zandt, The Everly Broth! ers, and Mel Tillis. Raising Sand finds Robert Plant and Alison Krauss exploring popular music's elemental roots while still sounding effortlessly, breath-takingly contemporary.
The song "Killing the Blues" is featured in the new JC Penney American Living Campaign.
Amazon.com
Perhaps only the fantasy duo of King Kong and Bambi could be a more bizarre pairing than Robert Plant and Alison Krauss. Yet on Raising Sand, their haunting and brilliant collaboration, the Led Zeppelin screamer and Nashville's most hypnotic song whisperer seem made for each other. This, however, is not the howling Plant of "Whole Lotta Love," but a far more precise and softer singer than even the one who emerged with Dreamland (2002). No matter that Plant seems so subdued as to be on downers, for that's one of the keys to this most improbable meeting of musical galaxies--almost all of it seems slowed down, out of time, otherworldly, and at times downright David Lynch-ian, the product of an altered consciousness. Yet probably the main reason it all works so well is the choice of producer T Bone Burnette, the third star of the album, who culled mostly lesser-known material from some of the great writers of blues, country, folk, gospel, and R&B, including Tom Waits, Townes Van Zandt, Milt Campbell, the Everly Brothers, Sam Phillips, and A.D. and Rosa Lee Watson. At times, Burnette's spare and deliberate soundscape--incisively crafted by guitarists Marc Ribot and Norman Blake, bassist Dennis Crouch, drummer Jay Bellerose, and multi-instrumentalist Mike Seeger, among others--is nearly as dreamy and subterranean as Daniel Lanois's work with Emmylou Harris (Wrecking Ball). Occasionally, Burnette opts for a fairly straightforward production while still reworking the original song (Plant's own "Please Read the Letter," Mel Tillis's "Stick with Me, Baby"). But much of the new flesh on these old bones is oddly unsettling, if not nightmarish. On the opening track of "Rich Woman," the soft-as-clouds vocals strike an optimistic mood, while the instrumental backing--loose snare, ominous bass line, and insinuating electric guitar lines--create a spooky, sinister undertow. Plant and Krauss trade out the solo and harmony vocals, and while they both venture into new waters here (Krauss as a mainstream blues mama, Plant as a gospel singer and honkytonker), she steals the show in Sam Phillips' new "Sister Rosetta Goes Before Us," where a dramatic violin and tremulous banjo strike a foreboding gypsy tone. When Krauss begins this strange, seductive song in a voice so ethereal that angels will take note, you may stop breathing. That, among other reasons, makes Raising Sand an album to die for. --Alanna Nash
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| Customer Reviews: Read 497 more reviews...
 raising sand November 23, 2008
I love the sound of Alison's voice where ever she may be but I did not connect with any of the songs. Their blend was fine in the duets. I was not longing for a bluegrass CD as I am not a fan but this just missed the mark for me.
Raising Sand is a Great album November 18, 2008
Seemed like an unlikely pairing when I first heard about this CD, but I like Alison Krause so I gave it a chance. Nice album that improves with repeated listening. Better to mix it with other music though because the chord structure is a little heavy if you just play the CD straight. Alison K's voice is unreal. With that high range, reminds me of a young Baez. Sister Rosetta, Trampled Rose, Gone Gone Gone, and others are really good music. Check it out.
 I am doing this review because I love this!!!!!! November 17, 2008
1 out of 1 found this review helpful
This is one of my favorite CDs. Each song brings up a different emotion. Everyone I have played it for loves it. I play it over and over and enjoy it more each time.
Great November 16, 2008
1 out of 1 found this review helpful
Great album. I saw Robert Plant and Allison Krauss in concert and I knew I wanted to get this album. It is great, in fact, I also bought one for my brother-in-law.
Very Interesting November 16, 2008
1 out of 1 found this review helpful
Very interesting, not what I expected, but with a twist. I would reccommend this to all Robert Plant fans who are not afraid of something different but with familiar under'tones' and a fresh face.
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