| Welcome Home Roscoe Jenkins (Widescreen) | 
 enlarge | List Price: $29.98
Buy New: $5.05
You Save: $24.93 (83%)
Buy New/Used/Collectible from $5.05
Avg. Customer Rating:   (based on 22 reviews)
Sales Rank: 9027
Category: DVD
Actors: Martin Lawrence, James Earl Jones, Margaret Avery, Nicole Ari Parker, Mike Epps
Publisher: Universal Studios
Studio: Universal Studios
Brand: Universal
Label: Universal Studios
Format: Ac-3, Color, Dolby, Dubbed, Dvd-video, Subtitled, Widescreen, Ntsc
Languages: English (Original Language), English (Subtitled), Spanish (Subtitled), French (Subtitled), French (Dubbed)
Rating: PG-13 (Parental Guidance Suggested)
Media: DVD
Running Time: 114 minutes
Number Of Items: 1
Aspect Ratio: 1.85:1
Shipping Weight (lbs): 0.2
Dimensions (in): 7.5 x 5.3 x 0.6
MPN: MCAD61101992D
UPC: 025195015875
EAN: 0025195015875
ASIN: B00177YFYM
Release Date: June 17, 2008
Theatrical Release Date: 2008
Availability: Usually ships in 1-2 business days
|
| Similar Items:
|
| Editorial Reviews:
Description
Martin Lawrence leads an all-star cast, including Cedric the Entertainer, Mo'Nique, and Mike Epps, in the hit comedy Welcome Home Roscoe Jenkins. When a celebrated TV show host (Lawrence) returns to his hometown in the South, his family is there to remind him that going home is no vacation! It's one outrageous predicament after another when big-city attitude and small-town values collide in this hysterical comedy critics are praising for its "over-the-top hilarity!" (Roger Moore, Orlando Sentinel)
Amazon.com
While its story might sound terribly interesting, Welcome Home Roscoe Jenkins is largely a vehicle for gross-out sight gags and grotesque performances by performers who, in many cases, don't need to do such things. Martin Lawrence stars as R.J. Stevens, a successful, Jerry Springer-like, television talk show host who sets aside his perfect life with a sweet son (Damani Roberts) and celebrity girlfriend (Joy Bryant) to attend his parents' golden wedding anniversary back home in Georgia. From the moment he arrives, all the reasons R.J. left to reinvent himself on the West Coast become clear. His siblings and cousins (Mike Epps, Mo'Nique, Michael Clarke Duncan, Cedric the Entertainer) quickly put him in his place, reminding him that his name is actually Roscoe Jenkins. His sweet mother (Margaret Avery) watches impassively while R.J.'s dad (James Earl Jones) strikes one disapproving note after another. R.J. would be content to wait out the anniversary events and go home, but the arrival of a woman (Nicole Ari Parker) he loved but couldn't keep during his adolescence changes everything, bringing out the competitive survivor within. Written and directed by Malcolm D. Lee (Undercover Brother), Welcome Home Roscoe Jenkins promises rich comedy and dramatic flavorings, as well as a bunch of delightful actors doing what only they can do best. But Lee subverts the project for cheap and easy laughs, using his best material to do little else than bridge scenes of bad slapstick, bestial perversity, clownish sex and irritating, motormouth rants from the likes of Mo'Nique and Epps. This a hard movie to sit through at 114 minutes, one of those what-were-they-thinking-when-they-made-this films. --Tom Keogh
Beyond Welcome Home Roscoe Jenkins on DVD 
Get the Soundtrack | 
More Martin Lawrence | 
More Comedies from Universal Studios |
Stills from Welcome Home Roscoe Jenkins (Click for larger image)
|
| Customer Reviews: Read 17 more reviews...
 Welcome Home Roscoe Jenkins - Review September 29, 2008
This was an excellent movie! It is very funny. Some parts were not PG-rated, but as a whole, it is a very good comedy for ADULT audiences.
3.5--Going home is not always a vacation.... September 18, 2008
3 out of 3 found this review helpful
"Welcome Home Roscoe Jenkins," one of the better recent efforts from the funny wing of Black Hollywood. (It is certainly better than "First Sunday.") The film is written and directed by Malcolm D. Lee, who directed but did not write the hilarious 2002 film "Undercover Brother." Lee definitely has some jokes in this one--especially involving canine love--but it seems likely that the film's comedic quartet offered some choice jokes to the script and fed off of each other, upping the comedic ante as they went along.
Roscoe (Martin Lawrence), is a talk show host who is depicted as a decent but ambitious man who revels in the celebrity life he shares with his fiance, Bianca Kittles (Joy Bryant). As a winner of the television show, "Survival," Bianca has transferred all the driven, maniacal aspects of her personality needed for that win to her day-to-day life. In a very L.A. sort of way, not seen on screen since perhaps Robin Givens played several roles as a Black man eater, Bianca keeps her world on a tight leash of accomplishment. She knows exactly what she wants, how she is going to get it and what is clearly unacceptable in her realm of the high life.
Sure, Bianca's depiction is extreme--women are sort of thrown under the bus in this one--but the men don't come off looking much better. Martin Lawrence, Mike Epps and Cedric the Entertainer compete with Mo'Nique to be the sorriest and funniest of them all when they all gather in the South for a wedding anniversary celebration for Roscoe's parents. Down home, the successful Roscoe finds himself at the center of the, by now, stock story of the rich Black relative who comes home and has to deal with his relatives who are either ghetto (Mo'Nique), country (Cedric the Entertainer), broke and/or walking around with a loose screw (Mike Epps). The ways that the dysfunctional rich fit perfectly into this odd stew help to make this film funny in surprising ways. Another thing that works is the individual funny that each comedian brings to their role.
The final element that "Roscoe" has going for it is the fact that, unlike some movies, its storyline is not laughable. It actually makes sense and, despite the comedy, the script makes all the characters very human--flawed, but human. There is even some romance thrown into the mix that allows Nicole Ari Parker to once again play the role of the sweetheart. At the corners of ruckus--the obstacle course competitions, the predictable slapstick and overwrought throw-downs--the movie sets aside a few minutes to showcase rowdy exchanges among the veteran comics, passed through a PG-13 filter. Recommend to fans of the likes of this genre.
 Funny, but flawed September 8, 2008
2 out of 2 found this review helpful
When Roscoe is forced to go home for his parent's 50th anniversary he finds his family still treats him like the goofball he once was. Even with his trophy girlfriend, he gets no respect, least of all from his brothers and sisters and cousin.
I found this film amusing. I particularly liked Mo'Nique as his sister, and the scenes of his relatives on his television show in the credits. There were some cliche elements I could've done without such as the country mouse cliche (Roscoe became a big star, becomes egotistical materialistic etc.) Also the glories of finding true love with your high school sweetheart. *Yawns* These tropes are done to death in films.
There is a little grossness, mostly in the forms of fake and kind of silly dog fornication. (Between his girlfriend's pomeranian and a golden retriever), and suggestive themes. Not for small kids, but teens have probably seen worse.
WELCOME HOME ROSCOE JENKINS August 29, 2008
0 out of 1 found this review helpful
Great DVD. Arrived in great condition and got it at a fraction of the cost.
Decent But Definitely Not Hilarious August 21, 2008
1 out of 2 found this review helpful
Its hard to build a story around humor that relies on playin the dozens, particularly during scenes intended to be serious.
Someone needs to tell Monique that saying something stupid loudly doesn't make it funny. Her big mouth overshadowed the content of every scene. She seems like a beautiful person, but that is not the issue. (Shouting "How was your weekend?" to my asian drycleaner won't make him say "Fine. And you," instead he nods and half says "Yeah, Thank you.")
If you have nothing better to do, it is worth a watch. Martin and Ced are funny until they stop acting like comedians. Epps has gotten funnier. And there are several nice cleavage shots.
|
|
|
