| Michelangelo and the Pope's Ceiling | 
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Avg. Customer Rating:   (based on 85 reviews)
Sales Rank: 60745
Category: Book
Author: Ross King
Publisher: Penguin (Non-Classics)
Studio: Penguin (Non-Classics)
Manufacturer: Penguin (Non-Classics)
Label: Penguin (Non-Classics)
Languages: English (Original Language), English (Unknown), English (Published)
Media: Paperback
Number Of Items: 1
Pages: 384
Shipping Weight (lbs): 1.2
Dimensions (in): 9.1 x 6.1 x 0.9
ISBN: 0142003697
Dewey Decimal Number: 759.5
EAN: 9780142003695
ASIN: 0142003697
Publication Date: November 25, 2003
Release Date: November 25, 2003
Availability: Usually ships in 1-2 business days
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Product Description
In 1508, despite strong advice to the contrary, the powerful Pope Julius II commissioned Michelangelo to paint the ceiling of the newly restored Sistine Chapel. With little experience as a painter (though famed for his sculpture David), Michelangelo was reluctant to begin the massive project.
Michelangelo and the Pope's Ceiling recounts the four extraordinary years Michelangelo spent laboring over the vast ceiling while the power politics and personal rivalries that abounded in Rome swirled around him. Battling against ill health, financial difficulties, domestic problems, the pope's impatience, and a bitter rivalry with the brilliant young painter Raphael, Michelangelo created scenes so beautiful that they are considered one of the greatest masterpieces of all time. A panorama of illustrious figures converged around the creation of this great work-from the great Dutch scholar Desiderius Erasmus to the young Martin Luther-and Ross King skillfully weaves them through his compelling historical narrative, offering uncommon insight into the intersection of art and history.
Amazon.com
Almost 500 years after Michelangelo Buonarroti frescoed the ceiling of the Sistine Chapel in Rome, the site still attracts throngs of visitors and is considered one of the artistic masterpieces of the world. Michelangelo and the Pope?s Ceiling unveils the story behind the art's making, a story rife with all the drama of a modern-day soap opera. The temperament of the day was dictated by the politics of the papal court, a corrupt and powerful office steeped in controversy; Pope Julius II even had a nickname, "Il Papa Terrible," to prove it. Along with his violent outbursts and warmongering, Pope Julius II took upon himself to restore the Sistine Chapel and pretty much intimidated Michelangelo into painting the ceiling even though the artist considered himself primarily a sculptor and was particularly unfamiliar with the temperamental art of fresco. Along with technical difficulties, personality conflicts, and money troubles, Michelangelo was plagued by health problems and competition in the form of the dashing and talented young painter Raphael. Author Ross King offers an in-depth analysis of the complex historical background that led to the magnificence that is the Sistine Chapel ceiling along with detailed discussion of some of the ceiling?s panels. King provides fabulous tidbits of information and weaves together a fascinating historical tale. --J.P. Cohen
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| Customer Reviews: Read 80 more reviews...
 Completely readable August 29, 2008
I thoroughly enjoyed reading this book. Many of the stories are things I have heard before, but woven seemlessly into an insightful narrative. King's assessment of Michelangelo's ceiling and its radical importance in pictorial history is correct in its context and amplitude; my knowledge thereby enhanced. However, I found the author's unflappable and professional approach a bit disturbing; as though he personally missed out on an epiphany. I am also not a fan of the restoration, to say the least. I enjoyed both receiving and giving this book as a gift.
 You can't make this stuff up! August 26, 2008
More than the story of the tumultuous relationship between Michelangelo and Pope Julius II, this well documented offering from Ross King breathes life into a period in history that was populated by the great artists, Michelangelo, DaVinci, Raphael, etc. and some of the most bizarre characters in church history. Mystery, intrigue, sex, betrayal, deceit..... all the makings of a great page turning novel. But, this is fact not fiction. Art history buffs, I think, will love the stories "behind the canvas" and "outside the frame". History buffs will appreciate the way the threads of the church, the politics, the art and the artists come together in a fascinating tapestry. If you enjoy it, try the Judgment of Paris or Bruneleschi's Dome by the same author.
Great background material May 4, 2008
We saw the Sistine Chapel in the Vatican and I wanted to know more about the person and the era that it was created. This book helped fill in the gaps of my knowledge.
As good as it gets. April 30, 2008
This is one of the finest historical books I have read. It is well researched and insightful, as well as occasionally funny. King has an amazing way of bringing historical figures to life and placing them in context. I read it as I travelled Italy and finished as we visited the Vatican and Sistine Chapel. Perhaps that brought it to life more for me. I recommend this book to anyone who is even mildly interested in Michelangelo or art. It is a great read.
Do yourself a favor. Read this book. December 30, 2007
If you have come this far, you really should go ahead and get this book and read it. Make sure you have some time set aside, because once you start you will not want to put this book down. This is the third Ross King art history book I have read. It meets my two criteria for an Amazon review: Is it worth the time? Is it worth the money? Yes and yes. It is highly readable, factual and entertaining. It provides insight into the works of Michaelangelo, which constitute some of the great cultural artifacts of civilization. At the same time, King sticks to his subject - The Chapel Vault- thus he has little discussion of early Medici years, many of the great sculptures, the Last Judgement and even the architecture of St Peter's. This is focused on this special period and task. The events of Julius II's reign and his military campaign are the core of discussion - one is tempted to wonder what aesthetic motives drove this man. We are made aware of Raphael working across the way and Bramante and his group fishing for influence. The point of view is decidedly in favor of Michaelango's side in controversies, but evidence is somewhat balanced. Whatever happens in your reading program, do not miss this one.
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